About World Of Darkness

"World of Darkness" (or WoD) is the name given to three related but distinct fictional universes created as settings for supernatural horror themed role-playing games. It is also the name of roleplaying games in the second and third settings. The first was conceived by Mark Rein-Hagen, while the second was designed by several people at White Wolf Gaming Studio, which Rein-Hagen helped to found. The first two World of Darkness settings have been used for several horror fiction-themed role-playing games that make use of White Wolf's Storyteller / Storytelling System, as well as Mind's Eye Theatre, a live action roleplaying game based on the core games. The third, Monte Cook's World of Darkness, created by Monte Cook based on the first two World of Darkness settings, includes only a single product.

Background
In order to avoid confusing the two product lines, many players refer to the most recent version of the World of Darkness line, released on August 21, 2004, as "New World of Darkness" or "nWoD", and the previous version as "Classic World of Darkness" or "cWoD". While the rebooted setting is superficially very similar, the overall theme is one of "dark mystery", with an emphasis on the unknown and the personal. The apocalyptic theme present in cWoD has been removed from nWoD, as have the "Gothic-Punk" aspects of the world setting.

Many details of the setting, especially in regards to its history, are left vague or otherwise have multiple explanations.

Instead of reprinting a full rule-set with each major title, tweaked and modified for each game, the new setting uses one core system for all games, a streamlined and redesigned version of the old rule system renamed the "Storytelling System". A core rule book, simply titled The World of Darkness, has full rules for human characters and ghosts; though it has no specific setting material, it establishes a tone and mood for games featuring human protagonists. This is another contrast to the old games, where so many different types of supernatural creature had been defined that normal humans often seemed unimportant. The old setting also made humans a minor threat to the supernatural races, but the new rules make it possible for humans to be powerful opponents to the things in the night. The World of Darkness core book was well received, and won the Origins Gamers' Choice Award for 2004.

New rule system
The new WoD rules are much more streamlined than the previous system. The Failure rules have changed and the "10-again" rule has been added, in that a "10" indicates a re-roll and the "10" still counts as a success (this rule was present in the original WoD only for Traits ranked at least 4 out of the usual maximum of 5, and then only for a "specialty" or particular sub-field of the trait's application). If another "10" is rolled, this step is repeated until anything but a "10" is rolled. Exceptional Successes are indicated by having five or more successes on the action, and can be regulated by the Storyteller. Dramatic Failures are now only possible on "chance" die rolls; when a dice pool is reduced by penalties to zero or less, a single chance die is rolled. If a 10 is rolled, it is a success (and as before, rerolled), if the result is less than 10 but not 1, then it is a simple failure. On a chance die, if the roll is a 1, then it is a Dramatic Failure, which is usually worse than a normal failure of the action, and is regulated by the Storyteller (although examples of Dramatic Failures in certain situations are occasionally given).

The game also features a much simplified combat system. In the old system each attack made during a combat scene could easily involve 4 separate rolls and in many cases required more due to supernatural abilities possessed by the characters. Combat scenes involving large numbers of combatants could take a very long time to resolve. The new system requires only one roll which is adjusted by the defensive abilities of the person being attacked and represents both the success and failure of the attack and the damage inflicted because of it, (indicated by number of successes).

The nature and demeanor rules which represented the personality of the characters and were common in the old games have also been removed. In the new system characters have a virtue and a vice trait which not only represents the personality of the characters, depending on how good a role player the person playing that trait is, but also represents actions that the character can take in order to regain willpower points that have been spent during the course of play. The vices are the same as the deadly sins (lust, gluttony, greed, sloth, wrath, envy, pride), while the virtues correspond to the four cardinal virtues (prudence, justice, temperance, courage) and three theological virtues (faith, hope, charity). Storytellers and Players are encouraged to invent new ones as seen fit.

The morality stat represents the moral outlook of the character and the notion that as a character takes more and more morally questionable actions she or he will eventually stop feeling bad about it. A character with a high morality would be more moral and saintly while a person with a low morality would be able to take more questionable actions. As a person’s morality falls they run the increasing risk of becoming mentally unstable.

For example, a hunter kills a mortal cultist who has been trying to kill him. Since she attacked him, it's not murder, it's manslaughter, which is represented as "4" on morality. The hunters's current morality stat is "6". He fails his roll and thus drops to morality "5". In addition, he must now make a second roll to resist gaining a derangement (a trait that affects characters' rolls and actions).

There is some version of morality in each of the game lines which represent internal struggles of the characters.

There are also specific action bonuses which can be attached to the Skills. These give modifiers to whatever the person is doing.

The core setting
Each new game setting now consists of a rule book which includes only those rules specific to the type of protagonist portrayed, leaving more room for specifics of that aspect of the World of Darkness. This has also vastly improved compatibility between games, particularly as all characters are created as normal humans and thus have the same basic traits. Supernatural traits still vary for each character type, but their interactions with each other are governed largely by a single, simple mechanic. The playable supernatural types generally follow similar rules in terms of game mechanics, including:


 * 5-6 inherent "sub-races," to which every character belongs based on the circumstances of his/her transformation into a supernatural being (5 Vampire Clans; 5 Werewolf Auspices; 5 Mage Paths; 5 Promethean Lineages; 6 Changeling Seemings; 5 Sin-Eater Thresholds).
 * 4-8 chosen "factions," to which a character may belong based on his/her beliefs; a character does not usually need to belong to any of these groups (5 Vampire Covenants; 5 Werewolf Tribes; 5 Mage Orders; 5 Promethean Refinements; 4 Changeling Courts; 8 Sin-Eater Archetypes).
 * Power level trait (often generically referred to as "Supernatural Advantage"), rated 1-10 (Vampires: Blood Potency; Werewolves: Primal Urge; Mages: Gnosis; Prometheans: Azoth; Changelings: Wyrd; Sin-Eaters: Psyche). High levels of this trait often limit the character's ability to interact with the world.
 * Energy trait, consisting of temporary "points" used to fuel various powers with capacity and spending ability based on the "power level trait" (Vampire: Vitae; Werewolf: Essence; Mage: Mana; Promethean: Pyros; Changeling: Glamour; Sin-Eaters: Plasm).
 * Learned powers arranged in traits rated 1-5, capable of rising higher when "power level trait" exceeds 5 (Vampire: Disciplines; Werewolf: Gifts; Mage: Arcana; Promethean: Transmutations; Changeling: Contracts; Sin-Eaters: Manifestations; Hunters (if part of a conspiracy) have access to similar powers/technologies known as endowments).

The three core games are as follows:


 * Vampire: The Requiem (released August 21, 2004 alongside The World of Darkness core book)
 * Werewolf: The Forsaken (released March 14, 2005)
 * Mage: The Awakening (released August 29, 2005)

Limited series setting
In addition to the main three games, there are also additional limited series games. Like Orpheus for the Classic World of Darkness, each of these "fourth games" will have a limited series of approximately six books, including the core rulebook. The first such game is Promethean: The Created for August, 2006, based largely on Frankenstein and similar stories of giving the unliving life through alchemy. The second game is Changeling: The Lost, and was released in August, 2007. It is a game based around characters that were taken and enslaved by Fairies similar to those of European folk tales, who managed to escape to find they were no longer human themselves, and must find a new place in life. Due to overwhelming positive response to Changeling, White Wolf has continued publishing material for it, although it is not recognized as a Core series. The third game, Hunter: The Vigil, was released in 2008, dealing with humans who decide to confront the supernatural. The fourth game, Geist: The Sin-Eaters, came out in 2009. The game concerns characters known as sin-eaters who, at the point of death, bonded with one of the strange entities known as geists. They returned to life, and are now able to journey into the Underworld. No additional games were released in 2010 or 2011, but at the 2011 Gen Con, it was announced that a new Mummy game would be released in August 2012.


 * Promethean: The Created (released August 11, 2006)
 * Changeling: The Lost (released August 16, 2007)
 * Hunter: The Vigil (released August 15, 2008)
 * Geist: The Sin-Eaters (released August 19, 2009)

Publication history

 * World of Darkness (August 2004)
 * Ghost Stories (November 2004)
 * Antagonists (December 2004)
 * Mysterious Places (June 2005)
 * Chicago (December 2005)
 * Armory (January 2006)
 * Second Sight (April 2006)
 * Shadows of the UK (June 2006)
 * Skinchangers (July 2006)
 * Tales from the 13th Precinct (July 2006)
 * Shadows of Mexico (October 2006)
 * Urban Legends (April 2007)
 * Book of Spirits (May 2007)
 * Monte Cook's World of Darkness (August 2007)
 * Asylum (August 2007)
 * Reliquary (September 2007)
 * Changing Breeds (October 2007)
 * Chicago Workings* (PDF only) (January, 2008), inspired by Chicago
 * Midnight Roads (February 2008)
 * The Harvesters* (PDF only) (February 2008) inspired by Midnight Roads
 * Innocents (April 2008)
 * The New Kid* (PDF only) (May, 2008) inspired by Innocents
 * Dogs of War (June 2008)
 * Ruins of Ur* (PDF only) (July 2008) inspired by Dogs of War
 * Slasher (2008) — initially for Hunter: The Vigil, later made into a general nWoD book.
 * Inferno (January 2009)
 * Armory Reloaded (April 2009)
 * Immortals (May 2009)
 * Mirrors (July 2010)

* Uses the Storytelling Adventure System

Background
The older World of Darkness line was created in 1991 with the release of Vampire: The Masquerade; support for it subsequently ended in 2004 with the release of Time of Judgment. The theme of the Classic World of Darkness is described as "Gothic-Punk" by the developers.

The World of Darkness resembles the contemporary world, but darker, more devious, more conspiratorial. Humanity is losing hope as it is secretly preyed upon and controlled by supernatural creatures such as vampires, werewolves and wraiths. One facet that sets the World of Darkness apart from most other horror fiction is that these creatures are not solitary predators to be hunted down and destroyed, but they are numerous and intelligent; enough so to form secret societies, develop various factions and allegiances, and use humans as pawns in power struggles and murderous games often lasting centuries or millennia.

However, the rising power and strength of human civilization has started to restrict their power, and an atmosphere of gloom resides over many of the games as once-almighty supernatural beings, the dark Princes and Lords of previous eras, in their turn face the bleak and unbearable prospect of a future spent struggling and shrinking under the ever-more powerful gaze and control of a worldwide technocratic cabal, which intends to stamp out mysticism - and their supernatural rivals in the same course - by making reason and science paramount. In the meantime, normal humanity, tool or prey of all factions, is oppressed and hounded in this hidden, all-encompassing conflict, barely capable of fighting and for the majority not even aware of their enemies.

Interlocking conspiracies, some mirroring those said to exist in our own world, some unique, can be found throughout the setting. Cabals of powerful mages, coteries of cunning vampires, and other, stranger powers vie within their own cultures and with each other for control of the world. The dichotomy between rich and poor, influential and weak, powerful and powerless, is much more pronounced than in our world. Decadence is common and corruption is everywhere. This dark reflection is seen everywhere: gargoyles and gothic construction influence architecture, while the leather look and punk atmosphere crowd the streets. Everything is as gloomy in the WoD as the most pessimistic tabloid headlines present it.

The game uses both historical (Wild West, Dark Ages, and Victorian) as well as a modern setting. Any games played in modern settings use the world we know, but with an underlying supernaturals influencing it. While the game is fictional, players should be aware that the game takes place in the "real world" Real world consequences will follow if you break the human's laws, also humans will respond in the way they would normally. The game does not rewrite human society, rather it uses human society as the backdrop for the secret lives of the supernaturals.

History and playability
At first there was little connection between the different settings, and as time passed, more and more obvious connections were made in the canonical published material. This was planned from the beginning, though there was originally little in the way of oversight between settings and the World of Darkness became riddled with discrepancies and contradictions in the cosmologies of each system. This changed with the introduction of the Revised Edition in 1999. Many of the later game supplements have optional rules suggesting how to handle interactions between different types of supernatural beings, and in some cases, present rules that attempt to allow discrepancies to exist between settings. It is also explained that the discrepancies may represent various factions actually changing reality to their own beliefs (especially within the Changeling and Mage sub-settings — see below) or the differing views each group has about the world.

The rules were increasingly streamlined and standardized, and the different systems began to look more similar with each new edition. The downside of this was that, with each step towards a common ground for the systems, the rules, terms, and templates underwent dramatic and backwards-incompatible changes. During all this, Wraith: The Oblivion was discontinued and even at the end of the third edition of Vampire, Werewolf and Mage, the bumps had still not been smoothed out.

In the end it was left up to each individual Storyteller (the term in the World of Darkness games for the gamemaster) to interpret the rules and try to combine the systems that were used. The lack of complete guidelines for integrating the games may have been meant to deter novice storytellers from attempting to do so, as such an undertaking requires a firm knowledge of the rules of all the games being played at the same time.

Publication (settings)
White Wolf developed the following game sets in the Classic World of Darkness between 1991 and 2003:


 * Vampire: The Masquerade
 * Werewolf: The Apocalypse
 * Mage: The Ascension
 * Wraith: The Oblivion
 * Changeling: The Dreaming
 * Kindred of the East
 * Hunter: The Reckoning
 * Mummy: The Resurrection
 * Demon: The Fallen
 * Orpheus

These all represent a Rulebook and a varying number of Sourcebook supplementals on anything from specific clans and tribes to gadgets and entire citybooks describing all the supernatural denizens. In parallel to these settings, White Wolf has developed historical settings for their major product lines. They include:


 * Vampire: The Victorian Age (set in the late 19th century)
 * Werewolf: The Wild West (set in the 19th century)
 * Mage: The Sorcerer's Crusade (set in the late 15th century)
 * Wraith: The Great War (set during and immediately after World War I)
 * Vampire: The Dark Ages (12th century version that was later reworked into the Dark Ages product line)
 * Dark Ages (13th century Middle Ages) versions of the settings:
 * Dark Ages: Vampire
 * Dark Ages: Werewolf
 * Dark Ages: Mage
 * Dark Ages: Fae (Changeling)
 * Dark Ages: Inquisitor (roughly equivalent to Hunter)

Additionally, while owning the rights to Ars Magica, White Wolf made additions to that game's setting to bring it into the World of Darkness timeline. Atlas Games would later acquire Ars Magica and remove these alterations however, and the connection between Ars Magica and the Classic World of Darkness is no longer considered canonical. Early advertisement to the Exalted game established it as the pre-historic age of the World of Darkness. Although many elements of Exalted correspond with the WoD to some degree, the two gamelines were not connected in the end.

Later in publication history, each new year had a theme at White Wolf Game Studios and the books published in that year were focused on the theme. This brought about the new sets of Hunters, Demons and Mummies, but more importantly it dictated the focus of all the sourcebooks for every system that were published that year. For instance, Vampire and Werewolf were given sourcebooks with an Eastern theme in the Year of the Lotus cycle, and the books concerned the Asian variety of these creatures.

A World of Darkness sourcebook was published in two editions as well and provided general guidelines for story creation on every continent as well as outlining the differences between, for instance African Werecreatures and North American ones. There was also a similar title for Werewolf entitled 'A World of Rage'.

Annual themes
The Classic World of Darkness had several years tied to a specific theme. During this year some game supplementals to the various gamelines were published that were tied to this theme. The logo of the theme in question was also printed on the products.

End of cWoD (Time of Judgment)
In late 2003, White Wolf announced it would stop publishing new books for the line, bringing the published history of the setting to an end with a series called The Time of Judgment. This event is described from different supernatural perspectives in four Sourcebooks: Gehenna (for Vampire: the Masquerade); Apocalypse (for Werewolf: the Apocalypse); Ascension (for Mage: the Ascension); and Time of Judgement (covering of White Wolf's less-established product lines: Demon: The Fallen, Changeling: The Dreaming, Kindred of the East, Mummy: the Resurrection and Hunter: the Reckoning).

The publishers stated that in doing so, they followed up on a promise that has existed in the World of Darkness since the first edition of Vampire, with the concept of Gehenna, and in Werewolf, with the Apocalypse, as well as some elements of some of the published material that pertain to 'end of the world' themes in other games. Fiction novels from each of the three major gaming lines concluded the official storyline.

Onyx Path
In 2011 a 20th Anniversary Edition of Vampire: The Masquerade was released, also called V20, and a series of further books for the cWoD were announced. Those books include conversion rules between some cWoD games and their nWoD counterparts, as well as material that was planned but not published before the End of the cWoD, as well as additional material for V20 and a 20th Anniversary book based on Werewolf: The Apocalypse.

For V20, as well as the upcoming V20 Companion and the 20th Anniversary werewolf book White Wolf used an Open Development approach, where reader could give feedback to the author.

Vampire: The Eternal Struggle (card game)
One of the earliest collectible card games (CCG) Vampire: The Eternal Struggle (formerly called Jyhad) is also based on the original World of Darkness, staying very true to the setting. As one of the longest-running CCGs in existence, it is the only WoD product that has not been discontinued - the Gehenna-theme (end of the old WoD Vampire setting) was featured in one expansion, but further expansions have been produced, without any reboot of the franchise.

TV Series
In 1996 there was also a short lived TV series set in the WoD called Kindred: The Embraced that was produced by Spelling Television and broadcast by Fox. The show was based in the Vampire: The Masquerade universe, but was canceled after only eight episodes.

WoD MMORPG
A merger between Crowd Control Productions and White Wolf, Inc. was announced at the annual Eve Online fanfest in Reykjavík, Iceland, in November 2006. As part of the deal, it was announced that White Wolf would be adapting the Eve Online intellectual property into a RPG, and CCP explicitly stated "There will be a World of Darkness Online", referring to a MMORPG version of the game. According to news at the time, work had already begun on the WoD MMORPG and full time production was to commence within the year and launch in 4–5 years.

, full production of the WoD MMORPG was scheduled start March 2009 after the Eve Online expansion was finished according to CCP. Official confirmation that the game is currently in development surfaced in Aug 2009 on the official CCP web site.

In October 2011, CCP announced that they would be significantly reducing the staff for the WoD RPG, choosing instead to focus on the existing EVE Online Universe. There are no details yet about expected or revised launch dates.

The game will be based on Vampire: The Masquerade and "will have a focus on player politics and social interaction." It is scheduled to launch in 2012 at the earliest.